Latest Works
Original paintings are available unless marked as sold. Limited edition and open edition prints are available on request. Please get in touch for sizes, pricing and availability.
Glasslands
An original abstract landscape inspired by the illuminated glasshouses of Thanet Earth in Kent. Layers of magenta, violet and deep black create an atmospheric horizon that sits between landscape, memory and abstraction.
Rather than a literal depiction, this contemporary acrylic painting captures the glow of artificial light against the night sky, reducing the scene to colour, atmosphere and form.
The result is a striking statement piece that works beautifully in contemporary, modern and minimalist interiors.
End of the Pier, Deal
End of the Pier, Deal is a large original contemporary coastal painting inspired by Deal Pier on the Kent coastline.
Built through multiple layers of paint, sanding and mark-making, the surface has been deliberately weathered to create a sense of atmosphere, memory and place. The pier emerges through shifting veils of turquoise, charcoal and warm copper tones, evoking the changing light and rain-filled skies so familiar along the East Kent coast.
Rather than recording a specific moment, this piece explores the feeling of standing at the water's edge as sea, sky and structure dissolve into one another.
The heavily textured surface reveals traces of earlier layers beneath, creating depth and movement that change throughout the day as the light moves across the painting.
Between Skies
Between Skies is an original abstract painting inspired by the repeated journeys between Ramsgate and Broadstairs, and the changing light that sits over the coastline at sunrise and sunset.
Living in Ramsgate and working in Broadstairs means moving through the same stretches of sea and sky almost daily. Over time, those familiar views begin to hold memory, routine and emotion. This piece was painted from that feeling rather than from a direct landscape.
Built through layered acrylic paint, soft abrasion and shifting surface texture, the painting moves between deep blue, turquoise and warm copper tones, a palette I keep returning to and probably my favourite to work with. There is a balance between calm and warmth in these colours that feels closely tied to the atmosphere of this coastline.
Rather than focusing on detail, the work is more concerned with light, distance and mood, somewhere between weather, memory and horizon.
Pulled Apart
“Pulled Apart” is an original abstract painting created during an ongoing exploration of sunsets, atmosphere and emotional contrast through abstraction.
This piece became a process of pulling apart my usual way of painting, loosening structure, leaning further into abstraction and allowing instinct and texture to take more control over the final composition. Deep layered blues and dark tonal areas are balanced against softer washes of peach, pale aqua and pink, creating tension between weight and openness.
Low Horizon
Low Horizon - Broadstairs Harbour, built through layers rather than a clean, literal scene.
There’s a strong horizon line running through it, with deep teal water below and a softer, weathered sky above. Hints of structure sit along the harbour edge, pulled out in warmer coral tones that break through the surface.
This one shifted a lot while I was painting it—pushed too far, pulled back, then rebuilt again. What’s left is a balance between control and erosion, with texture and fragments of earlier layers still visible.
Yellow Season
Yellow Season is an original abstract landscape inspired by the intense yellow fields and low horizon lines of the Kent coastline in late spring.
Built through layered acrylic, scraping and texture, the painting balances open colour fields with darker structural marks and subtle pink accents.
This brought me so much joy to paint and is my first in this palette and with the fields around Thanet as the inspiration. .
Where the Light Settles
A calm, atmospheric abstract painting inspired by light, reflection, and quiet moments. Created intuitively without reference, this piece developed through layered colour, soft blending, and controlled movement.
Warm rust tones contrast with muted blues, with subtle drips and texture adding depth and a sense of stillness. The central glow draws the eye, creating a feeling of light settling across water or landscape.
This painting was created as part of a return to painting after time away, making it a particularly personal and reflective work. It is designed to bring a sense of calm and warmth to a space, working beautifully in both modern and neutral interiors.
